Heroic theme for Ulster Orchestra Friday night concert in packed Ulster Hall
The Ulster Orchestra began their Friday night concert in the packed Ulster Hall with Sammy Moussa’s work titled Elysium which was part of the Heroic theme of the evening.
It is not difficult to see why this modern work premiered in 2021 is now in the repertoire of many orchestras worldwide.
Its atmosphere of mystery and intensity appeals to audiences everywhere, and makes it much more accessible than many other modern pieces which seem to be aimed at an academic music niche rather than the general concert-going public.
Dvorak’s Violin Concerto dating from the late 19th century retains its place in the genre of treasured violin concertos, and again it is not difficult to understand why, given this commanding performance by Alena Baeva in her third concerto appearance in Belfast with the Ulster Orchestra.
From the start she had an air of authority, and with the sensitive accompaniment of the Ulster Orchestra, she gave a dazzling performance of this challenging piece, particularly in the more familiar final movement.
The second half was devoted to Beethoven’s iconic Third Symphony, the Eroica, which may prompt some people to ask themselves what in their opinion is the composer’s best symphonic work.
Apparently a pupil of Beethoven once asked him “Sir, why is your Eighth Symphony less appreciated than your Seventh?”. He said “My young man, this is because my Eighth Symphony is better.” So there you have it.
There is no doubt that the Eroica is a pivotal Symphony in the entire Classical repertoire. It is radically different, and yet full of memorable music which touches the heartstrings.
This Symphony demands a special performance every time, and the Ulster Orchestra under the impressive direction of Conductor Gabriel Bebeselea , on his second to Belfast, provided just that, with some fine contributions from the strings throughout, and particularly in the Second Movement.
Next March sees the 200th Anniversary of Beethoven’s death, but in a real sense he his still alive in his music, which can lift the heart and soul on a cold night in Belfast, and anywhere else for that matter.
According to the programme notes the Ulster Orchestra will take the stage in the Amsterdam’s famous Concertgebouw next March under the direction of maestro Bebeselea, and why not? Things are really looking up for our Ulster Orchestra, as it approaches its 60th anniversary